Behringer B1 Large Diaphragm Condenser Mic New Old Stock New in box never used. Includes case, shock-mount and windscreen. 

Kelly SHU Panel Mount XLR Cable w/ mounting screws (SHU-ACZ6)

Ehrlund EHR-M Condenser Microphone Large diaphragm condenser microphone Excellent/Mint mics - Patented triangular membrane - Patented internal amplification and power circuits - Optimised for studio environments - Transparent and natural sound - Great low-noise performance - Phase and frequency linear internal amplifiers - Excels at distance miking - Broad pickup range, linear frequency response even at distance or off axis - Bass frequencies are picked up in an accurate way even at some distance - Natural reproduction of fast transients - Colouring of sound is negligible and true to the original source - Frequency range spans from infrasonic bass to ultrasonic treble - Low energy consumption, ~2.0 mA - Strong output signal; usually doesn’t need any external amplification - No pre-filtering needed, Ehrlund microphones are made for flat EQs - Each and every Ehrlund microphone is stereo matched with its own model - Handles all impedances without altering frequency or phase

Warm WA-251 Tube Condenser Mic Like new/mint condition with all original accessories and box.

Apex 6 Pc Drum Mic Kit with Case Excellent used condition. 3 x tom mics (126) 1 x kick mic (125) 2 x condensor overheads (190)

Sennheiser E908 D Condenser Mic with drum mount Priced individually. in original factory boxes New Old Stock never used. Boxes may have been opened to inspect contents. 

Audix 5-piece Drum Microphone Package (FP5) The FP5 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets, and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass, and woodwind instruments. The f6 dynamic microphone, with its extended bass response, is designed for kick drum, bass cabinets, cajon, and other low-frequency instruments. Built to withstand the rigors of live stage applications, the Fusion Series mics are also excellent for rehearsal, school, house of worship, and a wide variety of home recording applications. 1 x f5 Snare Microphone 3 x f2 Rack and Floor Tom Microphones 1 x f6 Kick Drum Microphone 4 x DCLIP Microphone Clips 4 x DFLEX Microphone Clips 1 x MC1 Microphone Clip Aluminum Road Case

Audix Affordable Dynamic Bass And Kick Drum Instrument Microphone (F6-ADX) The Fusion Series microphones represent affordable excellence. The f6 dynamic instrument microphone is designed for instruments requiring bass reproduction in live and studio applications. The f6’s hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage. The f6 instrument microphone has low impedance and balanced output providing interference-free performance. Transducer Type Dynamic Frequency Response 40 Hz – 16 kHz Polar Pattern Hypercardioid Output Impedance 580 ohms Sensitivity 1.2 mV / Pa @ 1k Capsule Technology LM Type A Off-Axis Rejection >23 dB Maximum SPL =140 dB Power Requirements None Connector 3-pin XLRm Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector Materials / Finish Zinc Alloy / Black Finish Weight 311 g / 11 oz Length 121 mm / 4.76 in

Audix Professional Dynamic Instrument Microphone (D6) The D6 dynamic instrument microphone is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. Lightweight, compact, and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low-frequency reproduction such as kick drums, large toms, and bass cabinets. The D6’s transformerless design, low impedance, and balanced output allow for interference-free performance. Designed, assembled, and tested by Audix in the USA. Transducer Type Dynamic Frequency Response 30 Hz – 15 kHz Polar Pattern Cardioid Output Impedance 280 ohms Sensitivity 0.8 mV / Pa @ 1k Capsule Technology WLM Type E Off-Axis Rejection >20 dB Maximum SPL =144 dB Power Requirements None Connector 3-pin XLRm Polarity Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector Materials / Finish Machined Aluminum / Black Finish Weight 254 g / 8.9oz Length 117 mm / 4.6 in

Planet Waves Classic Series Microphone Cable (PW-CMIC-10) Classic Series microphone cables utilize ultra-pure, oxygen-free copper conductors for low capacitance and pure signal transfer. A flexible molded collar provides outstanding strain relief for worry-free reliability. 95% shielding eliminates virtually all handling noise.

PDP Microphone Holder, Floor Tom (PDAXTAMC-F)  

Pearl Uni-Lock Boom Microphone Holder w/ Mount (MH70A) Skip the added stands and let your hardware work for you, with Pearl's Uni-Lock Boom Microphone Holder. Its multi-angle quickset clamp attaches to any available support stand with ease, letting you place mics in hard-to-reach places around the drum set. Pearl's Uni-Lock Boom Microphone Holder features a multi-angle quickset clamp that attaches to any available support stand with ease. Now you can place mics in hard-to-reach places around the drum set with the security of Pearl's reliable drum hardware. Its durable boom arm delivers secure, flexible reach, and its gearless UniLock tilter head accepts practically any mic clamp with infinite angle positioning. Ideal for drum set, field and marching applications, and multi-percussion set-ups. Mount microphones anywhere around the kit! Tilter uni-lock gearless Mounting head 5/8" w/27 tpi Bracket quick release Wing nut die-cast w/comfort contours Round nut knurled Capacity fit 5/8" to 1-1/8" pipe